Please use this identifier to cite or link to this item:
Title: Jazz Arranging and Composing : A Linear Approach
Authors: Dobbins, Bill.
Keywords: Âm nhạc | Giai điệu | Jazz | Thanh nhạc
Issue Date: 2015
Publisher: Advance Music
Abstract: Many different possibilities for harmonizing the same melody are illustrated and analyzed, using techniques by such influential arrangers and composers as Duke Ellington, Billy Strayhorn, Oliver Nelson, Gil Evans, and Clare Fischer. Techniques of melody harmonization, linear writing, and counterpoint for 2, 3, 4, and 5 horns. A chapter on writing for the rhythm section clearly illustrates the techniques commonly used by jazz arrangers and composers. Six complete scores in concert key are ideal for analysis, for playing the horn parts on the piano or for following the performances on the CD. An extensive chapter on form and development deals with extended compositional forms and the use of compositional techniques in writing for small jazz ensembles. A useful discography is included at the end of each chapter.
Appears in Collections:Khoa âm nhạc ứng dụng

Files in This Item:
File Description SizeFormat 
Jazz Arranging And Composing_01.pdfGiới thiệu1.38 MBAdobe PDFView/Open
Jazz Arranging And Composing.pdfNội dung11.08 MBAdobe PDFView/Open    Request a copy

Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.